The making of Global Patterns - Rochdale Town Hall

FABRIC FROM FIVE CONTINENTS

CORE IDEA

Once Rochdale sent textiles out across the world; today they come from across the world to Rochdale. An echo of the past and a nod to Rochdale’s multi-cultural present.

Ceramic sections in the workshop at Darwen - the pink glaze representing Asia.

Each circular bench is made up of nine individual seats, all bearing textile patterns from a particular continent. In total, there are 45 individual patterns. We have rendered these as arrangements of lines and dots pressed into wet clay. When the clay is fired, titanium glaze collects in the recesses and the patterns become two-tone, iridescent faience.

The patterns themselves are of several different kinds. Some are drawn from designs simply painted or printed onto fabric, others from designs created in the weave. Some describe a certain technique such as tie-dye, appliqué or embroidery. Still others show in close-up the structure of a particular type of fabric itself. All represent textiles that have come to be identified, whether over thousands of years or just a few decades, with a certain part of the world.

A continent contains many countries located in a fewer number of zones. So for each bench we have chosen patterns from as wide a spread of cultures as possible, but composed them into three groups. Our hope is to build up a mosaic of patterns which is at once diverse and harmonious - recognisable as the cultural mosaic of a continent.

CONCEPT IMAGES

MAKING

Our small team enjoyed working at Darwen Terracotta’s workshops - being present for the full process of making and especially enjoying the light from the large windows.

A NEW TECHNIQUE

We worked with the wet clay before it was fired - creating new tools in order to press the different forms and shapes into the clay, changing the amount of pressure or depth needed. There was definitely a state of flow as we worked steadily and slowly to recreate the patterns.

UNDERSTANDING THE GLAZE

Working with Tamzin from Darwen on testing and comparing the different glaze combinations.

DETAILS IN THE GLAZE

More details and stories from each pattern to come.


Warren Chapman, associate partner at landscape architecture Gillespies, said: “We are delighted to see the progress on bringing new life into the heart of Rochdale town centre.

“The completed project will transform a sea of car parking into a people-friendly civic space for generations of Rochdale residents to enjoy and cherish.”

Darwen Terracotta owner Jon Wilson said: “While we work worldwide, it is always heart-warming to be involved with work on our doorstep.

“We were delighted to collaborate with Broadbent on this project, and look forward to seeing the final installation of the benches. We hope the people of Rochdale greatly enjoy this exciting new town square.”

The town hall and square are expected to be reopened to the public later this year.
— Rochdale online


Revisiting the installation of Chatham Water Seats

We installed Chatham Waters seats last June - it was part of a wider vision document and Art & Place sourcebook we created for the re-development of the area.

CONCEPT DOCUMENT

The Apothecary's Garden - The things of this world

Proposal for the UCLH Garden

clay models of the animals

CONCEPT

To undergo Proton Beam Therapy is to leave for a moment the familiar world.  The patient enters a hi-tech environment so alien to their everyday experience they might as well be an astronaut on a mission to Mars.

Afterwards, it is as though they re-enter the Earth’s atmosphere and have to reacquaint themselves with the things of this world.  In this somewhat shell-shocked spirit they find the Apothecary’s Garden.

The Apothecary’s Garden is a place of healing.  It is a haven of peace after Proton Beam Therapy and it contains plants from which to make medicine.  But its greatest potential to heal lies in the fact it is a garden.  A garden in which there are things like plants to help the patient remember the world they know.

We would like to build on this idea and bring a little more of the natural world around us into this place.  Plants belong with animals, and we have in mind a series of animal sculptures carved in stone and set into the wall of each planter.  We hope, through the familiarity of our chosen animals and a softness in the design of our sculptures, to enhance the soothing and therapeutic effect of the Apothecary’s Garden.

We would love to develop a series of hand hold pieces - celebrating the tactile nature of these sleeping animals.

More information about how this project developed to follow.